Anthem Africology Series

The book engages the need to embrace Indigenous knowledge-based entrepreneurship as a path towards achieving sustainable development in Africa. It advances a decolonization of knowledge systems that have undergirded entrepreneurship in Africa to pave ways for Indigenous knowledge systems.

This book intends to explore the nature, scope, and features of African American women’s theatre and dramas. It exhibits African American women dramatists’ expertise, mechanics, methods, and artistic elements as well as the major themes projected in their dramas. The book is about a dramatic movement of African American women who write plays to protest against racism, sexism, and classism. It challenges the oppressive ideology of white patriarchy and African American male dominance. Therefore, the book enables the audience in understanding the dramas and theatre movements of all the oppressed sections of society from across the globe.

W. E. B. Du Bois was one of the leading figures of Pan-African thought and activism in the twentieth century. This book delivers for the first time a comprehensive Afrocentric investigation and critique of Du Bois’s writings on Africa and Pan-Africanism.

Toyin Falola is one of modern Africa’s most prolific public intellectuals. This project seeks to illuminate the mind of this modern master in an age of transnationalisation.

The book engages the need to embrace Indigenous knowledge-based entrepreneurship as a path towards achieving sustainable development in Africa. It advances a decolonization of knowledge systems that have undergirded entrepreneurship in Africa to pave ways for Indigenous knowledge systems.

The current available books and literature that shed light on health policies in many African countries are limited. This book examines the key players in the health system game in many African countries. It explores the regulatory regimes that impact the health systems, such as the Ministry of Health. It also provides few case studies of the relationship between the government, the public health environment, and their citizens.

This book explores several critical connections between Black African objects and white Western aesthetics and artwork in the United States from the late 1800s until 1939.

"Challenging Misrepresentations of Black Womanhood" investigates the stereotyping of Black womanhood and the larger sociological impact on Black women. The text details the historical and contemporary use of stereotypes against Black women and how Black women work to challenge and dispel false perceptions.

This work brings together theories and practices from the disciplines of urbanism, architecture and African cinema studies to examine, through African screen media, how African artists are bringing attention to issues of urban precarity, climate change, survival and growth, and creativity on the continent.

The book depicts an Afrocentric thinker grounded in the theory of Afrocentricity in the interrogation of an African development discourse in pursuit of cognitive justice.

Black Refigurations is the third volume of a three-volume study of African-American literary history, with special attention to the internal dialogues regarding concepts of “tradition,” haunting, trauma, and re-vision. Texts studied extend from slave narratives to contemporary works, including both canonical and lesser-known instances of African-American expression.

Black Configurations is the first volume of a three-volume study of African-American literary history, with special attention to the internal dialogues regarding concepts of “tradition,” haunting, trauma, and re-vision. Texts studied extend from slave narratives to contemporary works, including both canonical and lesser-known instances of African-American expression.