Anthem Studies in Australian History

'Virtual Voyages' is a fascinating account of the European discovery of the elusive 'great south land' told through the literature of 'imaginary voyages'.

'Walkabout' was one of the most popular magazines in mid-twentieth century Australia, educating local and international readers about the Australian landscape, its peoples and industry. It featured many of the most interesting writers, natural scientists and commentators. This book investigates 'Walkabout’ magazine's pivotal role in Australian cultural history.

Trailblazing women of Australian Public Broadcasting, 1945-1975 presents a compelling feminist perspective of Australian radio and television history. It resuscitates the careers of a group of female producers who strategically defied the odds and used broadcasting as a site for their activism in the decades after World War II.

Relying on autobiographical documents, this book analyses what Australians read in the 19th century, as well as what they wrote, in terms of personal and everyday, non-literary writings. It emphasises the Britishness of colonial society, without forgetting specifically Australian inflections of readers’ responses. Australian reading embraced wide-ranging tastes.

‘Migrant Nation: Australian Culture, Society and Identity’ casts new light on Australian identity through historical accounts of the many and varied experiences of migration.

Taking the absence of Aboriginal people in South Australian settler descendants’ historical consciousness as a starting point, ‘Memory, Place and Settler‒Aboriginal History’ combines the methodologies and theories of historical enquiry, anthropology and memory studies to investigate the multitudinous and intertwined ways the colonial past is known, represented and understood by current generations.

An insightful and timely reappraisal of international broadcasting as an instrument of discursive rather than ‘soft’ power and its contested role in Australia’s Indo-Pacific regional statecraft.

Dispossession and the Making of Jedda (1955)' brings together a history of race relations, pastoral boom and film-making. It is a personal account of coming to terms with a history of dispossession and colonial power relations in a place that has offered the author a strong sense of belonging and settler-colonial family heritage.

Australian Women’s Historical Photography: Other Times, Other Views focuses on the works of six Australian women who were working as photographers in the period 1850–1950. It critically examines their works against the historical backdrop of settler violence towards Indigenous Australians, the First Women’s Movement, the Great War of 1914–1918, Australia’s imperial occupation of New Guinea, the final years of Chinese Nationalist Party rule in China and debates about photography’s status as an art form.

This volume details the history of Australia’s oldest and most nationally iconic publishing firm, Angus & Robertson, and its long-term investment in establishing and maintaining a viable commercial arm in London from 1930 to 1970.

‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ is a cultural history of the bushranger legend on stage and screen from colonial to contemporary Australia. It provides a detailed analysis of the mechanisms through which bushrangers became an indelible part of the Australian cultural consciousness.