Anthem Studies in Australian Literature and Culture

‘Migrant Nation: Australian Culture, Society and Identity’ casts new light on Australian identity through historical accounts of the many and varied experiences of migration.

‘Australian Theatre, Modernism and Patrick White’ details the rejection of two Patrick White plays – ‘The Ham Funeral’ and ‘Night on Bald Mountain’ – by the Adelaide Festival of Arts in Australia in the early 1960s.

‘Suburban Space, the Novel and Australian Modernity’ investigates the interaction between suburbs and suburbia in a century-long series of Australian novels. It puts the often trenchantly anti-suburban rhetoric of Australian fiction in dialogue with its evocative and imaginative rendering of suburban place and time.

‘A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017’ is a cultural history of the bushranger legend on stage and screen from colonial to contemporary Australia. It provides a detailed analysis of the mechanisms through which bushrangers became an indelible part of the Australian cultural consciousness.

Thomas Keneally: world success story or Australian writer who never fulfilled early potential? ‘Thomas Keneally’s Career and the Literary Machine’ explains the disparate opinions, charting his writing’s production and reception as shaping a literary career. It tracks tensions between literary and commercial values, national and international expectations, celebrity status and literary reputation.

'Walkabout' was one of the most popular magazines in mid-twentieth century Australia, educating local and international readers about the Australian landscape, its peoples and industry. It featured many of the most interesting writers, natural scientists and commentators. This book investigates 'Walkabout’ magazine's pivotal role in Australian cultural history.

'Finding Queensland in Australian Cinema' explores gender, race and place in selected Australian films in various phases of Australian cinema: from Charles Chauvel’s 'Jedda' (1955), to the ‘period’ films of the New Wave in the 1970s, to the Indigenous filmmakers since the 1990s, and the contemporary era of transnational productions in Australia.

This unique study tracks the way the Aboriginal art phenomenon has mediated Indigenous/non-indigenous relations in Australia. It illuminates the utopian and dystopian currents of thought that have arisen in relation to the art, and the contradictory social and political aspirations to which it has been anchored in public culture.

Australia is the planet’s sole island continent. This book argues that the uniqueness of this geography has shaped Australian history and culture, including its literature. Further, it shows how shifting understandings of the island continent shed new light on the relationship between islands and continents in the mapping of modernity.

Exploring the imaginative construction of the post-colonial South by the communist East, this collaborative study of the reception of Australian literature in the German Democratic Republic has resonance for all newly global reckonings of the cultural Cold War.

Australia has a fascinating history of visions. As the antipode to Europe, Australia provided a radically different and uniquely fertile ground for envisioning places, spaces and societies. ‘The Antipodal Utopia’ evaluates this complex intellectual history by mapping out how Western visions of Australia evolved from antiquity to the modern period.

‘Post-Multicultural Writers as Neo-Cosmopolitan Mediators’ is the first book to bring together global debates in neo-cosmopolitanism over the last decade and Australian minority writers, linking them to globalisation and transnationalism in cultural studies.