Anthem Studies in Theatre and Performance

Kunqu is among the oldest and most refined traditions of the family of genres known as xiqu (music-drama or “Chinese opera”). This book consists of translated performer narrations that illuminate how one of the major Chinese theatrical forms has been taught and transmitted over the past century. 

Despite a recent surge of scholarly interest in Hannah Cowley’s works, her scandalous comedy The World as It Goes has never been published. This edition of The World as It Goes is supplemented with an introduction providing cultural, theatrical, historical and biographical contexts and contemporaneous reviews.

This book highlights the important creative work of Belarusian theatre and filmmakers seeking to raise awareness of the Pro-democracy movement and human rights abuses in Belarus and to build communities of care and mourning following the fraudulent 2020 presidential elections in Belarus.

‘Australian Theatre, Modernism and Patrick White’ details the rejection of two Patrick White plays – ‘The Ham Funeral’ and ‘Night on Bald Mountain’ – by the Adelaide Festival of Arts in Australia in the early 1960s.

The Anthem Beckett Studies Reader, edited by S. E. Gontarski, is an indispensable guide to the restless, rigorously inventive field of Beckett studies—one that mirrors Samuel Beckett’s own refusal of settled meanings and stable forms.

“On Beckett: Essays and Criticism” is the first collection of writings about the Nobel Prize–winning author that covers the entire spectrum of his work, and also affords a rare glimpse of the private Beckett.

Tennessee Williams, T-shirt Modernism and the Refashionings of Theater engages the Williams we thought we knew, as he grew, developed, reconfigured himself into a playwright we didn’t, in his attempts to refashion himself amid the vortices of changing sexual mores, including the performance of masculinities and the queering of theater, the struggle for a literate, literary theater, and the place of the theatrical experience in his contemporary culture.

“On Beckett: Essays and Criticism” is the first collection of writings about the Nobel Prize–winning author that covers the entire spectrum of his work, and also affords a rare glimpse of the private Beckett.

‘Molière on Stage’ takes the reader onstage, backstage and into the audience of Molière’s plays, and analyzes the performance of his works in both his own time and ours.

This volume offers the first English translation of one of India’s most celebrated works of anticolonial resistance. It is also the first edition of the play to provide an extensive historical-critical commentary and to draw on a comprehensive range of colonial archival documents.

A fresh study of creative practice and exchange in theatre and the visual arts in eighteenth-century France, nourished by archival research and by histories of innovation, community and knowledge transfer in the Enlightenment.

The Dancing Body in Renaissance Choreography is a study of the theory of kinetic theatricality in the western European context. The dancing body of courtly social dance is analyzed in French and Italian dance treatises of the Renaissance through the intertexts of oratorical action, pedagogical discourses of civility and conceptions of value emanating from descriptions of social interaction in courtesy books.