Art

This ethnographic study is an empirical exploration of caste through the story of Indian potters who have transformed caste into a marketable brand in the business of selling sculptures. To these contemporary potters, caste is in their blood, caste is about being a creative and independent artist, and caste is about business, as they engage in a competitive market to sell their artworks.

This unique study tracks the way the Aboriginal art phenomenon has mediated Indigenous/non-indigenous relations in Australia. It illuminates the utopian and dystopian currents of thought that have arisen in relation to the art, and the contradictory social and political aspirations to which it has been anchored in public culture.

Late Victorian Orientalism is a work of scholarly research pushing forward disciplines into new areas of enquiry. This collection of essays tries to redefine the task of interpreting the East in the nineteenth century taking as a starting point Edward Said’s Orientalism (1978) in order to investigate the visual, fantasised, and imperialist representations of the East as well as the most exemplary translations of Oriental texts.

In her study of Aref El-Rayess’s The 5th of June, or, The Changing of Horses, Natasha Gasparian reveals that the picture was presented and received, allegorically or metaphysically, as an idealized narrative of national liberation. By tracing the caesuras and slips in discourse, she reconstructs an alternative reading of the artwork’s uncanny yet historically determinate character.

The book deals with fashion as a form of visual culture embodied through signs. It reproduces itself with a pattern based on the semiotic network of places, social practices and forms of imagery.

This collection of essays explores digital art in Ireland. Comprising contributions from scholars and practitioners, it examines how new media technologies are shaping the island’s contemporary artistic practices. As one of the first dedicated treatments of Irish digital art, it fills a major gap in the national media archaeology of Ireland.

Artists Activating Sustainability: The Oregon Story examines the way in which the artists within specific communities, against the background of landscape and history, reveal concepts of sustainability that help us broaden our knowledge of what is needed to create a sustainable world.

Work by artists from the United Arab Emirates (UAE), interviews and first-hand accounts form the core of this book about the development of the country’s art history. Learning about artists and seeing how their practices fit into global art historical discourses can help viewers gain insight into an art not made to be understood.

The book features a group of 32 works by Georges Braque made after his cubist period. They are accompanied by new texts on the subject by Professor Frederic Montegu. All the works illustrated were painted between 1920 and 1960. It showcases the vision of a collector focusing on one of the artist’s most prolific periods. It is a promotional and educational publication.

The book, using archival sources, examines the colonial and postcolonial history of arts education in Pakistan through the National College of Arts, founded as the Mayo School of Arts in 1875. It deconstructs art history and anthropology frameworks embedded in imperial and national discourses, policies, and pedagogy.

Art and Design in 1960s New York explores the mutual influence of fine art and graphic design in Manhattan during the long decade of the 1960s.

This book considers the presence of the supernatural and Gothic elements of the Western on screen. It identifies traditions usually associated with the Gothic or horror film in the Western and examines ways in which they have often played either sub-textual or explicit rolesin the Western narrative throughout its history and in contemporary forms.