Literature

This book is an appraisal of Yves Saint Laurent’s contributions to fashion, art and culture.

The books collects Daniel T. O’Hara’s half century of essays and review-essays on Yeats and his major poetry an drama and how leading critics and theorists have sought to revise their reception for their periods of time and indeed for the future. Its aim is to trace a critical history of the last fifty years, even as it opens the prospects for the future of critical reading of Yeats and modern poetry.

Women and Ghosts in Eighteenth-Century England provides an exploration of eighteenth-century hauntings in the words of the women who experienced them. These female narratives of ghostly experiences formed the foundations for the psychical research that continues today.

Wittgenstein and Modernist Fiction: The Language of Acknowledgment shows how works of twentieth-century literature and philosophy together examine language’s capacity to acknowledge the inner lives of marginalized figures.

Wittgenstein and AI (Volume II): Value and Governance. This is the second of two edited collections, exploring Wittgensteinian themes in AI. The issues covered by the various chapters of this volume range over a number of topics, with a specific focus on ethics, governance, aesthetics and the law.

Wittgenstein and AI (Volume I): Mind and Language. This is the first of two edited collections, exploring Wittgensteinian themes in AI. The issues covered by the various chapters of this volume range over a number of topics, with a specific focus on mind and language.

‘William Morris and the Uses of Violence, 1856–1890’ offers a new and challenging reading of William Morris’s work, focusing on his representations of violence and arguing that the idea of regenerative battle is central to his literary and political vision.

William Blake as Natural Philosopher, 1788-1795 takes seriously William Blake’s wish to be read as a natural philosopher, particularly in his early illuminated works, and reveals the way that poetry and visual art were for Blake an imaginative way of philosophizing. 

This book brings together, for the first time, a collection of articles from leading scholars on the writing, and literary and social contexts, of the ‘tramp-poet’ and memoirist W. H. Davies (1871–1940).

Vyāsa is the primary creative poet of the Sanskrit epic Mahābhārata and 'Vyāsa Redux' examines the many paradoxical dimensions of his narrative virtuosity in the poem where the poet is both the creator of the work and a character within it. Narrative is, in this view, cognitive rather than empirical in its organization.

‘Visuality in the Novels of Austen, Radcliffe, Edgeworth and Burney’ examines the forms and functions of visuality in the novels of Austen, Radcliffe, Edgeworth and Burney. It offers new insights into vision, fiction and depiction by exploring how the visual details in women’s novels published between 1778 and 1815 are more telling about gender politics than scholars have previously acknowledged.