Aboriginal Art and Australian Society

Aboriginal Art and Australian Society

Hope and Disenchantment

By Laura Fisher

Anthem Studies in Australian Literature and Culture

This unique study tracks the way the Aboriginal art phenomenon has mediated Indigenous/non-indigenous relations in Australia. It illuminates the utopian and dystopian currents of thought that have arisen in relation to the art, and the contradictory social and political aspirations to which it has been anchored in public culture.

Paperback, 312 Pages

ISBN:9781785271823

September 2019

£25.00, $40.00

  • About This Book
  • Reviews
  • Author Information
  • Series
  • Table of Contents
  • Links
  • Podcasts

About This Book

The Aboriginal art movement flourished during a period in which the Australian public were awakened to the implications of the state’s decision to confront the legacies of colonisation and bring Aboriginal culture into the heart of national public life. Rather than seeing this radical political and social transformation as mere context for Aboriginal art’s emergence, this study argues that Aboriginal art has in fact mediated Australian society’s negotiation of the changing status of Aboriginal culture over the last century. This argument is illustrated through the analysis of Aboriginal art’s volatility as both a high art movement and a phenomenon of visual and commercial culture. This analysis reveals the agendas to which Aboriginal art has been anchored at the nexus of the redemptive project of the settler state, Indigenous movements for rights and recognition, and the aspirations of progressive civil society.

At its heart this study is concerned with the broader social and cultural insights that can be gleaned from conducting a sustained inquiry into Aboriginal art’s contested meanings. To achieve this it focuses upon the hopeful and disenchanted faces of the Aboriginal art phenomenon: the ideals of cultural revitalisation and empowerment that have converged upon the art, and the countervailing narratives of exploitation, degradation and futility. Both aspects are traced through a range of settings in which the tensions surrounding Aboriginal art’s aesthetic, political and significance have been negotiated. It is in this dialectic that the vexed ethical questions underlying Australia’s settler state condition can most clearly be identified, and we can begin to navigate the paradoxes and impasses underlying the redemptive national project of the post-assimilation era. 

Reviews

'Like any tightrope walker, Laura Fisher has a finely attuned sense of balance. Her clear-sighted analysis of the historical record takes her beyond the moral high ground and ideological posturing that for decades have stifled intelligent discussion of the mixed blessings of Aboriginal art’s success. This book should be essential reading for anyone to whom Indigenous art is more than a just a pretty picture.' —Vivien Johnson, former NewSouth Global Professor, University of New South Wales and author of 'Lives of the Papunya Tula Artists'

Author Information

Laura Fisher is a sociologist and art historian based in Sydney, Australia. She is pursuing a range of research interests around art in the public domain, visionary outdoor environments, the cultural economy and Aboriginal art. She is currently a post-doctoral research fellow at Sydney College of the Arts, University of Sydney.

Series

Anthem Studies in Australian Literature and Culture

Table of Contents

Introduction; Part I: Governance, Nationhood and Civil Society; Chapter 1: New Intercultural Relationships in the Post-Assimilation Era; Chapter 2: Aboriginal People Mobilising Aboriginal Art; Chapter 3: Understanding Aboriginal Art Subsidy; Chapter 4: The State Mobilising Aboriginal Art; Chapter 5: ‘Aboriginal culture’ at the Nexus of Justice, Recognition and Redemption; Part II: Contemporary Aboriginal Art in the 1980s; Chapter 6: The Emergence of Aboriginal Art in the 1980s; Part III: Negotiating Difference; Chapter 7: Negotiation Aboriginal Difference; Chapter 8: The Art/Anthropology Binary; Part IV: Aboriginal Art, Money and the Market; Chapter 9: Ethics and Exploitation in the Aboriginal Art Market; Chapter 10: ‘Aboriginal Mass Culture’ and the Cultural Industries; Conclusion.

Links

No Podcasts for this title.

Latest Tweets

  • "Blau and Blau have produced a short and accessible book that provides a challenge to the mainstream explanations o… https://t.co/Nc7TXQymcJ

    - 17:35:38 on 18/01/2022
  • RT @ColetteGrace: The forthcoming publication of this volume, which ask readers to reflect as citizens on the significance of history for t…

    - 07:35:38 on 17/01/2022
  • RT @worldkidlit: Next Thursday is the book launch for B.J. Epstein’s new edited collection International #LGBTQ+ Literature for Children an…

    - 07:35:38 on 17/01/2022
  • 'On the Fall of the Roman Republic' by Thomas E. Strunk is almost here! This book juxtaposes the fall of the #Roman… https://t.co/fiLlRPJsFI

    - 07:35:38 on 15/01/2022
  • RT @ColetteGrace: in closing stages of production with @AnthemPress colleagues to ready the first edited volume in the Ethics of Personal D…

    - 07:35:38 on 14/01/2022
  • Coming soon! 'The Colonial and National Formations of the National College of Arts, Lahore, circa 1870s to 1960s' b… https://t.co/eNGfWdehrR

    - 07:35:38 on 14/01/2022
  • Don't miss the online launch of the Anthem title 'International LGBTQ+ Literature for Children and Young Adults' b… https://t.co/wzJbPINSMC

    - 07:35:38 on 14/01/2022
  • RT @NamrataChaturV: Prof. Luther Obrock's endorsement for our book recognizes the legacy and the living tradition of Kalidasa. #Kalidasa #P…

    - 07:35:38 on 14/01/2022
  • RT @GDP_Center: In 2012, the #BRICS made the momentous decision to establish their own financing mechanisms. Nearly 10 years on, what has b…

    - 07:35:38 on 14/01/2022
  • RT @jeremybassetti: 😷 In case you missed it, @whoknowsdave and @Gary_F_Fisher stopped by the podcast to talk about the volume they recently…

    - 07:35:38 on 13/01/2022

Comodo SSL