logo

icon

icon

icon

icon

icon

  • Books
    • Back Close
    • Academic
      • Back Close
      • Subjects
      • Series
    • Non Fiction
      • Back Close
      • Non-Fiction
      • Anthem Essential Knowledge
    • Education
      • Back Close
      • Anthem Advanced Learning
      • Anthem SCAT Series
      • Other Education
    • Professional
  • Products
    • Back Close
    • Anthem Advanced Introductions
    • Anthem Impact
    • Anthem Enviroexperts Review
    • Anthem Handbooks
    • Partnership Publishing
    • Anthem Editions
    • First Hill Books
  • Author Hub
  • About Us
  • Contact Us
  • Blog
Search
WORK WITH USOPEN ACCESSRIGHTS & PERMISSIONSPRIVACY & COOKIES POLICYTERMS & CONDITIONSACCESSIBILITY
CATALOGUESBOOKSELLERSLIBRARIANSREVIEWERSINSTRUCTORSPARTNERSHIP PUBLISHING
SALES REPRESENTATIONORDERING EBOOKSSHIPPING: NORTH AMERICAShipping: UK, EU & ROWShipping: Australia & NZ

Copyright © 2025 Anthem Press. Registered in England & Wales under No. 02889958.

HomeTheatre and Performance StudiesDialogues on Beckett
Dialogues on Beckett
Flyer Cover
Google Review

Dialogues on Beckett

Whatever Happened to God?

Antoni Libera and Janusz Pyda
translated by Agnieszka Kolakowska

Anthem Studies in Theatre and Performance



Title Details

ISBN: 9781783088942

Pages: 194

Pub Date: February 2019

Imprint: Anthem Press

Request for Desk or Exam copyAdd to Cart

Related Books

‘Dialogues on Beckett’ is a collection of 12 conversations about 12 plays by Samuel Beckett, discussions about the meaning of life and the universe between an agnostic and a Christian, based on a close reading of the text. It includes a judicious balance of basic information about Beckett’s life and work, brief sketches of some interpretations of his plays and a few words on the critical reception of each, and sets out some possible criticisms of the vision of the world expressed in them. These last are particularly interesting given the many references and allusions to Christian theology to be found in the plays. They are, admittedly, heavily ironic, but they testify to the importance in Beckett’s thought of the Christian vision of the universe and the eschatological dimension of human existence.

Beckett, through the radicalism of his thought and his crystalline and very distinctive style, succeeds better perhaps than anyone else in getting at the heart of the disquiet which has marked our age, and he identifies its cause as a metaphysical transformation which is taking place before our eyes. That transformation is the disenchantment of the world. A number of factors have contributed to it; the progress of science is just one among many. But whatever the causes, the sphere of the sacred has lost its power and can no longer explain the course of history. The temple lies in ruins and we have found nothing to supplant it, no new way of making sense of the world and our place in the universe. Western Man has lost his bearings and can see no way forward; beyond the ancient and familiar paths of the Judeo-Christian tradition, increasingly difficult now to return to, lies unknown territory, empty and dark and cold. This state of suspension and disorientation gives rise to a profound disquiet, though we may not always be aware of its nature or its source. [NP] An analysis of Samuel Beckett’s major plays is an excellent introduction to a broader debate not only on the current state of Western culture and civilization but also, more generally, on the spiritual condition of modern man. The dialogues presented in this volume will inspire readers to reflect on these issues and encourage such a debate.

Hardback

£70.00 / $115.00

E-Book (PDF)

£18.36 / $30.36

E-Book (EPUB)

£18.36 / $30.36

The Post-traumatic Theatre of Grotowski and Kantor
Staging Memory and Materiality in Eighteenth-Century Theatrical Biography
Australian Theatre, Modernism and Patrick White
Antonio Pietrangeli, The Director of Women
Memory, Metaphor and Mysticism in Kalidasa’s AbhijñānaŚākuntalam
Rabindranath Tagore's Drama in the Perspective of Indian Theatre