logo

icon

icon

icon

icon

icon

  • Books
    • Back Close
    • Academic
      • Back Close
      • Subjects
      • Series
    • Non Fiction
      • Back Close
      • Non-Fiction
      • Anthem Essential Knowledge
    • Education
      • Back Close
      • Anthem Advanced Learning
      • Anthem SCAT Series
      • Other Education
    • Professional
  • Products
    • Back Close
    • Anthem Advanced Introductions
    • Anthem Impact
    • Anthem Enviroexperts Review
    • Anthem Handbooks
    • Partnership Publishing
    • Anthem Editions
    • First Hill Books
  • Author Hub
  • About Us
  • Contact Us
  • Blog
Search
WORK WITH USOPEN ACCESSRIGHTS & PERMISSIONSPRIVACY & COOKIES POLICYTERMS & CONDITIONSACCESSIBILITY
CATALOGUESBOOKSELLERSLIBRARIANSREVIEWERSINSTRUCTORSPARTNERSHIP PUBLISHING
SALES REPRESENTATIONORDERING EBOOKSSHIPPING: NORTH AMERICAShipping: UK, EU & ROWShipping: Australia & NZ

Copyright © 2025 Anthem Press. Registered in England & Wales under No. 02889958.

HomeLiteratureNuclear Gothic
Nuclear Gothic
Flyer Cover
Google Review

Nuclear Gothic

Textual and Cultural Fusions

Helena K Bacon

Anthem Studies in Gothic Literature



Title Details

ISBN: 9781839981630

Pages: 250

Pub Date: May 2026

Imprint: Anthem Press

Request for Desk or Exam copyAdd to Cart

Related Books

Hardback

£80.00 / $110.00

eBook (WEB PDF)

£25.00 / $35.00

eBook (EPUB)

£25.00 / $35.00

There has been a cohesive cultural response from Japan to the atomic bomb and its radiological consequences: cultural icon Godzilla, awakened by radiation, has been imagined repeatedly as a manifestation of the monstrous power of nuclear weapons and their after-effects. Though studies by Joseph Siracusa, Joyce A. Evans and David Dowling address various representations of atomic power in literature and film, critical engagement regarding nuclear cultures has still primarily been political, ecological or scientific in focus, with limited work available on fictional and imagined nuclear texts and narratives. By reading Western, and particularly American, conceptualisations of atomic power (whether actual or imagined) as gothic, and by situating them in relation to their Japanese counterparts, Nuclear Gothic aims to rectify this critical dispersion and cultural gap. By compiling a working field of nuclear-gothic examples across various fields, it also seeks to provide an interdisciplinary study of nuclear narratives as viewed through a specific critical lens, surveying atomic processes, nuclear fictions and specific historical and cultural moments as instances and products of the gothic mode. 

Using a range of criticism that stretches across American history, postmodernism, international relations, scientific studies and the gothic, Nuclear Gothic will examine the interrelation and enmeshment of the nuclear and the gothic, accounting for operative similarities; Japanese nuclear fictions; nuclear journalism, non-fiction and science writing; horror cinema; eco-fiction, modern ruins and depictions of literally and metaphorically contaminated landscapes; and nuclear testimonies, cultural moments and textual memorials. Through exploring these areas within a specific gothic framework, accounting for the gothic’s adaptable yet repetitive forms, the text will suggest that the nuclear and the gothic modally draw towards each other, and that the gothic has, again and again, been the primary means we employ to understand and interpret the nuclear, from the first uranium mines all the way through to current nuclear energies and technologies.

Wittgenstein and Popular Culture
Critical Approaches to Fen Gothic Literature
Invented History, Fabricated Power
Doing Sociology Through Film and Literature
Empathy in the Reading and Teaching of English Literature
Screen Performance and the Shakespeare Film Canon in the Spotlight of Archivision