Anthem Studies in Australian Literature and Culture

'Walkabout' was one of the most popular magazines in mid-twentieth century Australia, educating local and international readers about the Australian landscape, its peoples and industry. It featured many of the most interesting writers, natural scientists and commentators. This book investigates 'Walkabout’ magazine's pivotal role in Australian cultural history.

Thomas Keneally: world success story or Australian writer who never fulfilled early potential? ‘Thomas Keneally’s Career and the Literary Machine’ explains the disparate opinions, charting his writing’s production and reception as shaping a literary career. It tracks tensions between literary and commercial values, national and international expectations, celebrity status and literary reputation.

‘Imagined Sound’ is a unique cartography of the artistic, historical and political forces that have informed the post-World War II representation of Australian landscapes. It is the first book to formulate the unique methodology of ‘imagined sound’, a new way to read and listen to literature and music that moves beyond the dominance of the visual, the colonial mode of knowing, controlling and imagining Australian space.

‘Suburban Space, the Novel and Australian Modernity’ investigates the interaction between suburbs and suburbia in a century-long series of Australian novels. It puts the often trenchantly anti-suburban rhetoric of Australian fiction in dialogue with its evocative and imaginative rendering of suburban place and time.

This book examines Australian memoirs of settler belonging written by public intellectuals—writers, historians, academics, journalists—which attempt to come to terms with the history of colonial violence and dispossession of Indigenous people, and articulate new perspectives on how to belong ethically in a settler colony of the 21st century.

‘Post-Multicultural Writers as Neo-Cosmopolitan Mediators’ is the first book to bring together global debates in neo-cosmopolitanism over the last decade and Australian minority writers, linking them to globalisation and transnationalism in cultural studies.

The book not only demonstrates the commonalities and differences in the literary and political strategies of Australian Aboriginal poets, namely Oodgeroo Noonuccal (1920–1993) and Lionel Fogarty (1958– ), and African American Black Arts poets Amiri Baraka and Sonia Sanchez (1943– ), but also examines the Aboriginal and African American trans-Pacific literary exchange, promoted by their engagement in an international Black resistance movement.

‘Migrant Nation: Australian Culture, Society and Identity’ casts new light on Australian identity through historical accounts of the many and varied experiences of migration.

This book examines the broader impacts on Australian culture and cultural practice of the Australian High Court’s landmark Mabo decision of 1992. It considers how history, linguistics and anthropology as well as film, fiction, poetry and memoir writing have been challenged or transformed by Mabo.

‘Locating Australian Literary Memory’ explores sites which are explicitly connected with eleven Australian authors through material forms of commemoration such as houses, graves, statues and assorted artefacts. While acknowledging the value of literary memorials and the voluntary labour that enables their construction and preservation, it argues for an expanded repertoire of practices to recognise authors who have been overlooked.

Australia is the planet’s sole island continent. This book argues that the uniqueness of this geography has shaped Australian history and culture, including its literature. Further, it shows how shifting understandings of the island continent shed new light on the relationship between islands and continents in the mapping of modernity.

This book explores the history of Horwitz Publications, one of Australia’s largest post-war pulp publishers. Although best known for its cheaply produced, sometimes luridly packaged softcover books, Horwitz Publications played a far larger role in mainstream Australian publishing than has been recognised, particularly in the expansion of the paperback that took place from the late 1950s onwards.