Anthem Studies in Theatre and Performance

‘Dialogues on Beckett’ is a collection of 12 conversations about 12 plays by Samuel Beckett, discussions about the meaning of life and the universe between an agnostic and a Christian, based on a close reading of the text.

“Staging Memory and Materiality in Eighteenth-Century Theatrical Biography” examines theatrical biography as a developing genre in eighteenth-century England. Drawing heavily on primary sources, then-contemporary reviews and archival material in the form of extra-illustrated or “scrapbooked” copies, this text investigates the increasing emphasis on materiality which was designed to consolidate, but often challenged, the biographer’s authority.

The idea of the tragic has permeated Western culture for millennia, and has been expressed theatrically since the time of the ancient Greeks. However, it was in the Europe of the twentieth century – one of the most violent periods of human history – that the tragic form significantly developed. ‘Modern European Tragedy’ examines the consciousness of this era, drawing a picture of the development of the tragic through an in-depth analysis of some of the twentieth century’s most outstanding texts.

Revolutions in post-digital archival practice and other forms of historical research necessitate an increasingly sophisticated interdisciplinary approach to Shakespeare studies, with Shakespeare-based films serving as an ideal model for the ongoing transformations of many disciplinary fields.

‘Dialogues on Beckett’ is a collection of 12 conversations about 12 plays by Samuel Beckett, discussions about the meaning of life and the universe between an agnostic and a Christian, based on a close reading of the text.

‘Sites of Performance: Of Time and Memory’ focuses on the impact of time and memory as they intersect and constitute the varied spaces of theatre, performance and installation art.

‘World Cinema and the Visual Arts’ combines new analyses of two subjects of ongoing research in the field of humanities: cinema and the visual arts. The films analysed encompass a wide geographical base, and have been drawn from a diverse array of cultural traditions.

‘Australian Theatre, Modernism and Patrick White’ details the rejection of two Patrick White plays – ‘The Ham Funeral’ and ‘Night on Bald Mountain’ – by the Adelaide Festival of Arts in Australia in the early 1960s.

This book studies Bob Dylan’s album Time Out of Mind as a series of dreams. These dreams work on three distinct levels: as murder ballads about a killer awaiting execution, as religious allegory about a protagonist torn between salvation and damnation, and as meditation on race and music in America.

This book examines the topic of ‘fake news’ through the lens of theatre and drama, looking at the way in which issues of audience, authorship, and accuracy are intertwined.

‘Dialogues on Beckett’ is a collection of 12 conversations about 12 plays by Samuel Beckett, discussions about the meaning of life and the universe between an agnostic and a Christian, based on a close reading of the text.

Kunqu is among the oldest and most refined traditions of the family of genres known as xiqu (music-drama or “Chinese opera”). This book consists of translated performer narrations that illuminate how one of the major Chinese theatrical forms has been taught and transmitted over the past century.