Line Endings in Renaissance Poetry

Line Endings in Renaissance Poetry

By Stephen Guy-Bray

Anthem Studies in Renaissance Literature and Culture

This book looks at how Renaissance poets ended their poetic lines. It considers a range of strategies and argues that line endings are crucial to our understanding of the poems. 

PDF, 250 Pages

ISBN:9781785279102

October 2022

£25.00, $40.00

EPUB, 250 Pages

ISBN:9781785279119

October 2022

£25.00, $40.00

  • About This Book
  • Reviews
  • Author Information
  • Series
  • Table of Contents
  • Links
  • Podcasts

About This Book

This book looks at how Renaissance poets ended their poetic lines. It considers a range of strategies and argues that line endings are crucial to our understanding of the poems. It begins with an introduction summarizing the work that has already been done in this area and demonstrating the author’s own method. While many of the devices the book highlights have been discussed before and while there has been some scholarship on the poetic line as a unit, how lines end has not received much critical attention, and particularly not in the critical work on Renaissance poetry.

The main part of the book is divided into three chapters: one on rhyme; one on enjambment; and one on the sestina. Rhyme is perhaps the most obvious kind of line ending; it was a contentious subject in the English Renaissance. Scholars then debated whether rhyme was necessary or even advisable. Enjambment, in which the end of a line occurs part of the way through a phrase, was especially common in dramatic poetry. In lyric poetry as well, however, it was an important tool for poets. The sestina is a complex form in which matters are the (usually unrhymed) end words, which vary according to a set scheme. There are other technically demanding forms in the Renaissance that focus on end words, but the sestina is the most extreme.

These are the most significant kinds of line endings used by English Renaissance poets. Each chapter provides one or two main poetic examples, but the book considers a range of poems from the period. The book ends with a brief afterword, wherein the author’s findings are summarized.

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Author Information

Stephen Guy-Bray is Professor of English at the University of British Columbia. He specializes in Renaissance poetry, in queer theory, and in poetics.

Series

Anthem Studies in Renaissance Literature and Culture

Table of Contents

  1. Introduction; 2. Rhyme; 3. Enjambment; 4. The Sestina; 5. Afterword.

Links

No Podcasts for this title.

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