Reading Kenneth Frampton

Reading Kenneth Frampton

A Commentary on 'Modern Architecture', 1980

By Gevork Hartoonian

This book focuses on the first edition of Kenneth Frampton’s Modern Architecture: A Critical History, published in 1980. It searches for clues and positions that will provide the reader with an unprecedented insight into the significance of Frampton’s historiography of modern architecture. 

Hardback, 222 Pages


May 2022

£80.00, $125.00

  • About This Book
  • Reviews
  • Author Information
  • Series
  • Table of Contents
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  • Podcasts

About This Book

Gevork Hartoonian presents a retrospective reading of the first edition of Kenneth Frampton’s Modern Architecture: A Critical History, published in 1980. He provides novel insights into the significance of Frampton’s historiography of modern architecture and beyond. In exploring selected themes from Frampton’s ongoing criticism of contemporary architecture, this book leads us to a critical understanding of the past, the modernity of architecture’s contemporaneity. It unpacks classificatory modes governing the three-part organization of Frampton’s book, the constellation of which allowed him to hold on to an anteroom view of history amidst the flood of temporalities spanning the period 1980–2020. Contemplating Frampton’s book as an artifact stripped of temporality, this original work reads Frampton’s historiography in the intersection of selected epigraphs and three images illuminating the book’s classificatory mode. Hartoonian presents a valuable companion to Frampton’s A Critical History for readers interested in the successes and failures of contemporary architecture’s philosophical and theoretical aspirations.


“The book is a critical unraveling of Frampton’s ideas; his use of Walter Benjamin, Hanna Arendt and Martin Heidegger, which the author elegantly analyzes. It is well structured and written. The approach (starting with the importance of epigraphy), the selection of key themes (the cultural, technical and territorial), and the close readings, are convincing and strong. The book speaks to Frampton’s ongoing critique of contemporary architecture culture. Hartoonian’s book is a timely contribution to this ongoing debate.” —Patricio del Real, Associate Professor of History of Art and Architecture, Harvard University, USA

“Kenneth Frampton is unquestionably one of the most influential and original architectural thinkers of the last hundred years. Now in its fifth edition, his Modern Architecture: A Critical History remains a mainstay in architecture schools and design offices around the world. In this brilliant study, Gevork Hartoonian offers us a lucid and in-depth account of the authors who shaped Frampton’s thinking, from Walter Benjamin to Hannah Arendt. He also gives us a compelling interpretation of Frampton’s engagement with leading protagonists of the modern movement, from Le Corbusier to Louis Kahn, from Ludwig Mies van der Rohe to Alvar Aalto. This book is necessary reading for students of postwar architectural thought, as well as for those seeking a deeper understanding of the debates and ideas shaping architecture today.” —Nader Vossoughian, Associate Professor, Architecture, New York Institute of Technology, USA

Author Information

Gevork Hartoonian is Professor Emeritus of Architecture, University of Canberra, Australia. He is the editor of The Visibility of Modernization in Architecture: A Debate, (Routledge, forthcoming) and the author of Time, History and Architecture (Routledge 2018), and Ontology of Construction (Cambridge University Press, 1994), among other volumes.


No series for this title.

Table of Contents

Introduction, Chapter 1: The Violence of Quotation; Chapter 2: A Trilogy; Chapter 3: The Vicissitudes of a Critical History; Chapter 4: In Defence of Architecture; Chapter 5: The Agency of Critical; Chapter 6: Aalto Contra Mies: A Conundrum?; Chapter 7: From Critical to Resistance; Postscript.


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