Roland Barthes and the Political

Roland Barthes and the Political

Dialectics of Historiography, Politics and Self

By Andrew Stafford

Roland Barthes and the Political: Dialectics of Historiography, Politics and Self re-reads and re-purposes for the twenty-first century France’s most important writer of the twentieth century. It argues that Barthes’s wide-ranging analyses – from Voltaire to Nietzsche, Marx to myth, gay love to Japan – can be applied to debates and controversies in the contemporary world, in what he called the writer’s ‘double grasp’.

Hardback, 250 Pages

ISBN:9781785278976

November 2022

£80.00, $125.00

  • About This Book
  • Reviews
  • Author Information
  • Series
  • Table of Contents
  • Links
  • Podcasts

About This Book

Roland Barthes and the Political: Dialectics of Historiography, Politics and Self is a re-reading and a re-purposing for the twenty-first century of the work and the critical theories of France’s most important writer of the twentieth century. Drawing on articles and chapters published since 2007, and including new material written for the volume, it argues that Barthes’s wide-ranging analyses and critical essays – from Voltaire to Nietzsche, Marx to myth, gay love to Japan – can be applied to debates and controversies in the contemporary world. By applying his 1958 essay on Voltaire to the aftermath in France of the 2015 terrorist attacks, by using Edouard Glissant’s work as an unspoken dialogue to look at post-colonial writing strategies, the volume sets out what a dialectical critical practice might look like in our complex world of political, ethical and aesthetic choices.

In order to address the complexity of his critical practice, the study takes up a seldom-discussed notion which Barthes had originally developed in relation to the nineteenth-century historian Jules Michelet: that of the ‘double grasp’. This ‘double grasp’ is used to think through photography and innovative forms of historiography (including a comparison with the work of Walter Benjamin), but also to account for the ‘stereographic’ approach with which Barthes read Balzac, visited Japan and then China, and even considered both the writing self and the imagined self.

The book considers the persistence – and the functions – of myth in the era of image-saturated social media, using both early Marx and early Nietzsche, whilst relating Barthes’s radical homosexuality and his questioning of binary structures to today’s debates on post-gender. The volume ends with discussion of Barthes’s essay-writing and its similarities with the theories on the essay of Hungarian Marxist George Lukaćs in his 1910 ‘Letter to Leo Popper’, and asks whether the essay, in its many Barthesian guises, is the future for radical forms of writing in the twenty-first century.

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Author Information

Renowned specialist of Roland Barthes, Andy Stafford has co-edited Barthes’s 1968–1969 seminar notes on Sarrasine. His work on Barthes is translated into Chinese, French and Portuguese.

Series

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Table of Contents

Foreword: Barthes 2.0?; Chapter 1: From Ancient Greece to Modern France: Marx and/or Nietzsche?; Chapter 2: The Persistence and Function of Myth; Chapter 3: ‘History Can Never March against History’: Voltaire, 1763 and Charlie-Hebdo, 2015; Chapter 4: Michelet, Benjamin, Japan and the ‘Double Grasp’; Chapter 5: Radical Exceptionalism and Creative Criticism; Chapter 6: Dialectics of Writing: Marx and Language in China; Chapter 7: Edouard Glissant and Edward Said: Unspoken Dialogues in Post-colonialism; Chapter 8: Love and Revolutionary Politics: Gay-Writing to Post-Gender; Afterword: Barthes, George Lukaćs and the Essay-form; Bibliography; Index.

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