Anthem Africology Series

W. E. B. Du Bois was one of the leading figures of Pan-African thought and activism in the twentieth century. This book delivers for the first time a comprehensive Afrocentric investigation and critique of Du Bois’s writings on Africa and Pan-Africanism.

The current available books and literature that shed light on health policies in many African countries are limited. This book examines the key players in the health system game in many African countries. It explores the regulatory regimes that impact the health systems, such as the Ministry of Health. It also provides few case studies of the relationship between the government, the public health environment, and their citizens.

This book is an Afrocentric exploration of the royal Indigenous dance known as the Kete dance-music, as an analytical path for reassessing African movement systems in the 21st century. It validates the agency of the Black dancing body as a critical element for the generation and use of Indigenous knowledge systems of the Africans/diaspora and explores critical perspectives on the role dancing plays in the cultural emancipation of African knowledge systems globally.

This book has discussed the critical question of why the continent, despite being the most endowed place on the planet, with a diverse range of natural and human resources, has remained the most impoverished region on the planet. The book shows that this is largely due to lack of economic sovereignty.

This book examines the challenges political parties pose to democratic governance in Africa, focusing on political stability, elections, accountability, and democratic consolidation, with particular attention to Nigeria.

Drawing on community voices and lived experience, this book explores conflict, peace, and belonging in Southern Kaduna, revealing how land, identity, and historical power relations continue to shape intercommunal life and possibilities for coexistence.

Muhammad Ali in Africana Cultural Memory is a comprehensive study of Ali’s identity and superlative impact framed in terms of the discipline’s subfield of Africana cultural memory studies. This critical approach challenges us to itemize Ali’s influential legacy with precise conceptual value wherein his mythological structure is illuminated as an inheritance. 

The book engages the need to embrace Indigenous knowledge-based entrepreneurship as a path towards achieving sustainable development in Africa. It advances a decolonization of knowledge systems that have undergirded entrepreneurship in Africa to pave ways for Indigenous knowledge systems.

Emerging Voices: Contemporary Nigeria’s Literary, Filmic and Entertainment Platforms is a collection of fresh perspectives and opinions in the creative interventions on the Nigerian literary and entertainment space. Tackling issues from different authorial perspectives, the authors of the book chapters bring a freshness that comes with unsullied critical and creative innocence in their analysis of the different aspects of Nigeria’s literary, filmic, and entertainment engagements.

This book intends to explore the nature, scope, and features of African American women’s theatre and dramas. It exhibits African American women dramatists’ expertise, mechanics, methods, and artistic elements as well as the major themes projected in their dramas. The book is about a dramatic movement of African American women who write plays to protest against racism, sexism, and classism. It challenges the oppressive ideology of white patriarchy and African American male dominance. Therefore, the book enables the audience in understanding the dramas and theatre movements of all the oppressed sections of society from across the globe.

The book depicts an Afrocentric thinker grounded in the theory of Afrocentricity in the interrogation of an African development discourse in pursuit of cognitive justice.

"Challenging Misrepresentations of Black Womanhood" investigates the stereotyping of Black womanhood and the larger sociological impact on Black women. The text details the historical and contemporary use of stereotypes against Black women and how Black women work to challenge and dispel false perceptions.