'South Asian Media Cultures' is a collection of essays that pulls together field-based audience and textual research in areas such as the politics of new media, contemporary television and film in India, Bangladesh, Pakistan, Sri Lanka, Nepal and their audiences. Through a careful analysis of the various media cultures and practices from across South Asia, this collection addresses pertinent issues such as how discourses on gender, nationalism, ethnicity and class are being expressed by mainstream media texts across South Asia, and how different groups within the public discern meanings from such discourses.
With this collection, Banaji aims to reduce the reliance on commercial Hindi cinema ('Bollywood') for reference on the politics and history of South Asian Media. Instead, key current research and theoretical debate are presented in an accessible manner. They are organised around three clear themes: 'Audiences, meanings and social contexts', which focuses on the responses of particular social groups to specific media formats, ideas or genres; 'Media Discourse, Identity and Politics', which discusses the complex links between media representations and socio-political identities; and 'Alternative Producers: New Media, Politics and Civic Participation', which describes and assesses the various civic practices and possibilities opened up in South Asia by digital and mobile communications.
‘‘South Asian Media Cultures’ provides great insight into the complex South Asian mediascape. It represents a critical, reflecting approach illustrating the recent trend of transnational and cross-disciplinary discussion.’ —Alexandra K. Schott, ‘Internationales Asien Forum’
'An astute, engaging, and sophisticated volume for anyone interested in popular culture, globalization, and shifting social and political landscapes in South Asia.' —Sunaina Maira, Associate Professor of Asian American Studies, University of California, Davis
'The popular imagery versioning of South Asia has survived repeated critique. This is a timely collection that shows how this mechanism continues to do its work. Written by up-and-coming scholars who refract the usual gloss differently...a very welcome set of essays.' —Professor John Hutnyk, Academic Director, Centre for Cultural Studies, Goldsmiths University of London
'Through detailed qualitative analysis, this book provides fascinating - and occasionally disturbing insights into the intersecting cultural identities and ideologies that are at stake in this rapidly changing region. '—David Buckingham, Professor at the Institute of Education, University of London
'Shakuntala Banaji has brought together writings on South Asia and Media whose range and quality exceeds anything on the subject that I have seen. The ambition and scope of this volume ensure that it will be a reference for anyone interested in globalization, media and South Asia.' —Arvind Rajagopal, Associate Professor of Culture and Communications, New York University
Shakuntala Banaji is an Associate Professor of Media and Communication at the London School of Economics (LSE).
Anthem South Asian Studies
Anthem Global Media and Communication Studies
Anthem Studies in Popular Culture
Introduction; Talking Back to 'Bollywood': Hindi Commercial Cinema in North-East India; 'Adverts Make Me Want to Break the Television': Indian Children and their Audiovisual Media Environment in Three Contrasting Locations; Urdu for Image: Understanding Bangladeshi Cinema through its Theatres; Musical Media and Cosmopolitanism in Nepal's Popular Music, 1950-2006; Private Satellite Television and the Geo-Politics of Moderation in Pakistan; Forgetting to Remember: The Privatisation of the Public, the Economisation of Hindutva, and the Medialisation of Genocide; Myth – The National Form: Mission Istanbul and Muslim Representation in Hindi Popular Cinema; A Peace of Soap: Representations of Peace and Conflict in Popular Teledramas in Sri Lanka; Destigmatising Star Texts – Honour and Shame among Muslim Women in Pakistani Cinema; Through the Lens of a 'Branded Criminal': The Politics of Marginal Cinema in India; Pakistani Students' Uses of New Media to Construct a Narrative of Dissent; Expanding the Art of the Possible: Leveraging Citizen Journalism and User Generated Content (USG) for Peace in Sri Lanka; Conclusion; List of Contributors
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